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Their process doesn’t normally involve “design” in the way we think of it. Customers enter the showroom, view examples of shoes in glass cabinets, and select details from different models. The shoemakers then combine these details into a bespoke pair. It is a system rooted in continuity – an evolving vocabulary of patterns, lasts and techniques that is shaped by tradition rather than external influence.",[],{"_key":410,"_type":103,"children":411,"markDefs":425,"style":130},"4f666e7c6a64",[412,416,421],{"_key":413,"_type":107,"marks":414,"text":415},"ffd255c392c2",[],"As such, when we proposed working together, there was a degree of scepticism. To find common ground, we brought with us sculpted cutlery that we had designed for Habitat years earlier. Jonathan Lobb, a last maker and the current owner of the company, immediately recognised the workmanship. He saw in the cutlery the same values that defined his own craft: precision, proportion and the sculpting of ",{"_key":417,"_type":107,"marks":418,"text":420},"5288e1621fa0",[419],"a525eece2d30","form",{"_key":422,"_type":107,"marks":423,"text":424},"43e4c7426225",[],". This moment of recognition opened the door.",[426],{"_key":419,"_type":285,"assets":11,"text":427},"Both cutlery design and last making rely on a sculptural way of thinking – shaping form through touch, intuition and precision. In each discipline, material is carved and refined in the hand, demanding sensitivity to curve, proportion and transition. This shared process reveals a natural bridge between industrial design and bespoke shoemaking: a meeting of practical skill, embodied knowledge and expressive form.",{"_key":429,"_type":103,"children":430,"markDefs":435,"style":130},"7849bc286134",[431],{"_key":432,"_type":107,"marks":433,"text":434},"1882aa8784ca",[],"Spending time with the shoemakers gave us the feeling that we had stepped through a narrow door into a vast universe, with a number of highly skilled individuals each with their own specialism. We quickly realised that our ideas had to grow from their processes. The shoe revealed itself as both technical and sensual – its construction a meeting point of anatomy, engineering and leatherwork. The specialists included the fitter measuring the foot, the last maker sculpting wood into a replica of its form, the pattern cutter adjusting the leather, the clicker selecting the hides, and the maker stitching the sole. Each gesture was rooted in centuries of accumulated skill.",[],{"_key":437,"_type":103,"children":438,"markDefs":443,"style":130},"75a4cdaf4922",[439],{"_key":440,"_type":107,"marks":441,"text":442},"e40cb3f85136",[],"Our role was not to reinvent the shoe – it would have been meaningless to disregard such existing knowledge. Instead, we looked for ways to reinterpret existing methods and bring forward what was already there. 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The image captures the dialogue between design and craftsmanship, where hand-drawn concepts and precise shoemaking techniques come together to create bespoke works of exceptional detail and form.","Sketches, material studies and finished shoes",{"_key":519,"_type":256,"body":520,"footnotesSize":444,"marginTop":208},"b7fb533a00ad",[521,529,548],{"_key":522,"_type":103,"children":523,"markDefs":528,"style":130},"c184979f0a83",[524],{"_key":525,"_type":107,"marks":526,"text":527},"d4f8e0b93e4a",[],"The name Apprentice suggests learning, but not in the traditional sense of master and pupil. The collaboration with John Lobb was an exchange of expertise and a dialogue between different forms of knowledge. We brought the curiosity of design; they brought the depth of craft. Together, we found new ground. The designs explored asymmetry and the fluidity of leather, wrapping the foot in unexpected ways and merging components that are usually kept separate. Our designs elevated the traditional components of the shoe to emphasise form and gesture. We wanted the sinuous form of the sculpted last to carry through into the final shoe, with each cut of leather describing the anatomy. In its construction, the shoe is architecture. We found the limit of stacking leather to make a heel, so sculpted two heels which John Lobb then attached to a pair that we named Silver Lining.",[],{"_key":530,"_type":103,"children":531,"markDefs":545,"style":130},"45139a633bd0",[532,536,541],{"_key":533,"_type":107,"marks":534,"text":535},"51261165328d",[],"To enter the world of bespoke shoemaking was to be reminded that design is not separate from making, but ",{"_key":537,"_type":107,"marks":538,"text":540},"e534a0321312",[539],"9cabd110cefd","enriched by it",{"_key":542,"_type":107,"marks":543,"text":544},"3480d6c4d609",[],". Apprentice was about trust, about finding resonance between disciplines, and about seeing the extraordinary potential of everyday objects when shaped by the knowledge of hands.",[546],{"_key":539,"_type":285,"assets":11,"text":547},"Apprentice represents a meeting of worlds that would not ordinarily intersect – industrial design and the rarified realm of bespoke shoemaking. It offered Doshi Levien the chance to learn directly from some of the finest makers in the world and to build bridges between disciplines through openness and exchange. By entering a tradition defined by couture-level craftsmanship, the studio was able to understand its principles deeply enough to contribute its own viewpoint – translating, interpreting and shaping the work through a distinct design sensibility.",{"_key":549,"_type":103,"children":550,"markDefs":555,"style":130},"33a2e1b00096",[551],{"_key":552,"_type":107,"marks":553,"text":554},"bc3013ecc952",[],"The shoes we designed for John Lobb remain bespoke, made to measure. 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It offers a reminder that a shoe, at times, can be perceived as a piece of architecture.","original","Silver lining shoes","Photography by John Ross",[628],{"_id":629,"client":630,"shortDescription":637,"slug":638,"title":641,"year":642},"c4977aa5-542e-4fab-afd4-a41422a28967",{"_createdAt":631,"_id":632,"_rev":633,"_type":634,"_updatedAt":635,"name":636},"2026-01-13T12:13:36Z","7d86a0eb-c3bf-4788-b3c3-636e369843e2","YyMBw7yxP0TD5F3bCiVa2j","client","2026-01-13T12:13:37Z","Collaboration with John Lobb","Apprentice is a collection of bespoke shoes created in collaboration with John Lobb, in which Doshi Levien blend traditional shoemaking techniques with contemporary design. The project emphasises the sensuality of form — leather wrapping the foot, asymmetry, merged components — highlighting the craftsmanship and anatomical precision that characterises John Lobb’s work.",{"_type":639,"current":640},"slug","apprentice","Apprentice",2008,"read",{"_type":645,"cardExcerpt":646,"cardImages":647,"linkLabel":643,"slug":746,"title":748},"conversation","Pattern in design is frequently read as surface or ornament, but for Doshi Levien it represents underlying structure – a logic that generates meaning, story and rhythm. 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