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The multicoloured, multidimensional cabinet celebrates everyday rituals central to Nipa Doshi’s practice, offering an invitation into her inner world – shaped by the women, places, and memories that sustain her.","default","Nipa Doshi with \"A Room of My Own\"","fullWidth",{"_key":277,"_type":278,"footnotesSize":279,"marginTop":208,"texts":280},"ef433297639b","conversationBlock","large",[281,294],{"_key":282,"_type":283,"initials":284,"text":285},"a757c0a17e00","question","GS",[286],{"_key":287,"_type":103,"children":288,"markDefs":293,"style":130},"9fd1fd15fbc3",[289],{"_key":290,"_type":107,"marks":291,"text":292},"b946cc48de3e",[],"Nipa, your work is well known for distilling the myriad cultural and artistic references that inspire you into a design language that is personal and grounded in your own lived experience. You grew up in India during a formative moment in its post-Independence era. How did that cultural landscape shape your design sensibility?",[],{"_key":295,"_type":296,"initials":297,"text":298},"711597135f78","answer","ND",[299],{"_key":300,"_type":103,"children":301,"markDefs":315,"style":130},"09ddb35d066d",[302,306,311],{"_key":303,"_type":107,"marks":304,"text":305},"8204cb034fa6",[],"It was a very different moment in history in India when I was growing up there. I would say it was a radical, avant-garde India – post-Independence, full of optimism and experimentation. Le Corbusier, the very famous modernist Swiss-French architect, had been invited by the government in the 1950s to design ",{"_key":307,"_type":107,"marks":308,"text":310},"323cc1d6f3e3",[309],"9332fd6baf96","Chandigarh",{"_key":312,"_type":107,"marks":313,"text":314},"00c598f151db",[],", a new city that would represent modern India. What was exciting to experience was that even the most iconic modernism, in the Indian context, was not “pure” or Eurocentric. It makes me think of Corbusier’s Villa Sarabhai in Ahmedabad, which I visited often. Although it was a very modern, Brutalist building, it was deeply Indian in how it was designed and inhabited. The artefacts, the paintings, the murals, it was full of life. The kitchen, for instance, was designed for people to sit on the floor to cook, because that was how it was traditionally done. I studied in Ahmedabad, surrounded by modernist icons. There was the Villa Shodhan, the Kite Museum, the Mill Owners’ Association Building, all designed by Le Corbusier. My college was founded on a manifesto by Charles and Ray Eames, and the revered Indian architect B. V. Doshi, who invited the American architect Louis Kahn to design the Indian Institute of Management, also built the architecture of the city. 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With hand-drawn portraits of inspiring women, it merges writing desk and dressing table to celebrate daily rituals of care, reflection and the feminine influences that shape Nipa Doshi’s creative world.","A Room of My Own Cabinet",{"_key":621,"_type":278,"footnotesSize":279,"marginTop":208,"texts":622},"9b5ea2d7ee78",[623,634],{"_key":624,"_type":283,"initials":284,"text":625},"18b0c808de5b",[626],{"_key":627,"_type":103,"children":628,"markDefs":633,"style":130},"ce3f6c7d539f",[629],{"_key":630,"_type":107,"marks":631,"text":632},"01a441d2adfc",[],"A Room of My Own exemplifies design as an outlet for recording and sharing history, the nuances of culture and the designer’s own worldview. It’s at once a homage to those who have influenced you and a manifesto of your own philosophy of a life well lived. What was your ambition when you embarked on this commission?",[],{"_key":635,"_type":296,"initials":297,"text":636},"3302396cad69",[637,690],{"_key":638,"_type":103,"children":639,"markDefs":653,"style":130},"ed95c616e86f",[640,644,649],{"_key":641,"_type":107,"marks":642,"text":643},"3018647c91d1",[],"When I started working on the commission, I wanted to design something that was very personal and reminded me of the important women in my ",{"_key":645,"_type":107,"marks":646,"text":648},"0e83c775cb04",[647],"1ac9697375d9","life",{"_key":650,"_type":107,"marks":651,"text":652},"4892b1c28a81",[],". Some of my best memories from my childhood are of afternoons when my mother’s friends would get together. 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Nipa Doshi’s sketch reveals the cabinet’s unfolding form: as its doors open, the drawing comes to life, expressing the work’s layered architecture and the idea of a personal, intimate space shaped by memory, ritual and imagination.",{"_key":691,"_type":103,"children":692,"markDefs":696,"style":130},"4e241937b704",[693],{"_key":641,"_type":107,"marks":694,"text":695},[],"So, my ambition for the commission was to design something that provided a gathering space for the important women throughout my life. I wanted to pay homage to the women I found inspiring. I see the cabinet as a small work of architecture. It holds space for portraits on the cabinet doors, which are amalgamations of many women I have known or admired. 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In this case it’s a shrine to the women in your life, but it also functions as a writing desk and dressing table. How do you see this hybrid piece of furniture shaping the rituals of those who use it?",[],{"_key":749,"_type":296,"initials":297,"text":750},"d9482a745194",[751],{"_key":752,"_type":103,"children":753,"markDefs":758,"style":130},"e8cc3aa21c7e",[754],{"_key":755,"_type":107,"marks":756,"text":757},"0b97ebeb2e8d",[],"For me, the most important thing as a designer is to create a sense of beauty in everyday rituals. Design is as much a way of doing things as it is about the objects themselves. The A Room of My Own cabinet is designed to support daily ritual – something that enhances your sense of wellbeing and allows you time with yourself or a moment to contemplate. The intellectual wellbeing supported by the writing desk is as important to me as the physical, emotional and artistic wellbeing encouraged by using the dressing table. I wanted to create a small universe where you could think, care for your body, get dressed and be surrounded by reminders of the people you love.\nI wanted the cabinet to offer a space that you could be immersed in, so I have designed it to be like a small work of architecture. The construction of the piece is quite architectural, it uses solid and void to hold space, the angles of the doors are embracing, and on two sides there are coloured glass boxes that let light play within the cabinet interior. Creating an object, for me, is not about inventing something in isolation. 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