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Tracks and conversations that have shaped our studio",{"tracks":85,"error":86},[],"spotify_request_failed",{"_createdAt":88,"_id":89,"_rev":90,"_system":91,"_type":89,"_updatedAt":94,"address_1":95,"address_2":96,"address_3":97,"businessHours":98,"email":99,"enquiries":100,"image":131,"imageDescription":166,"imageTitle":167,"instagram":168,"language":169,"phone":170,"seo":171,"title":174},"2026-01-26T10:54:24Z","contact","j9x8aXCnOL41Sub9FljjR0",{"base":92},{"id":89,"rev":93},"jlD5jeeNl8LjKEqy0Xy9dl","2026-05-06T15:18:52Z","49 Columbia Road","London, E2 7RG","United Kingdom","9am-6pm (UTC)","mail@doshilevien.com",[101],{"_key":102,"_type":103,"children":104,"markDefs":124,"style":130},"d63414a9ac22","block",[105,110,115,119],{"_key":106,"_type":107,"marks":108,"text":109},"cecd60051b7c","span",[],"If you are enquiring about an internship or employment, please address your email to ",{"_key":111,"_type":107,"marks":112,"text":114},"9d43bbd310ad",[113],"2156f41e12a7","careers@doshilevien.com",{"_key":116,"_type":107,"marks":117,"text":118},"4f3a8c76086e",[]," \nFor press enquiries, address to ",{"_key":120,"_type":107,"marks":121,"text":123},"4feeafe75fb8",[122],"2e5dbddedfcb","press@doshilevien.com",[125,128],{"_key":113,"_type":126,"href":127},"link","mailto:careers@doshilevien.com",{"_key":122,"_type":126,"href":129},"mailto:press@doshilevien.com","normal",{"_type":132,"image":133},"asset",{"_type":134,"asset":135,"crop":11,"hotspot":11},"image",{"altText":11,"metadata":136,"originalFilename":164,"url":165},{"_type":16,"blurHash":137,"dimensions":138,"hasAlpha":23,"isOpaque":22,"lqip":142,"palette":143,"thumbHash":163},"eFG8[.?^0000r:ogItt2-lng00rW?ao~of4ov}NbXT%f03E3^$%1Rj",{"_type":19,"aspectRatio":139,"height":140,"width":141},0.8057742782152231,1524,1228,"data:image/jpeg;base64,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",{"_type":26,"darkMuted":144,"darkVibrant":147,"dominant":150,"lightMuted":153,"lightVibrant":156,"muted":157,"vibrant":160},{"_type":28,"background":145,"foreground":30,"population":146,"title":30},"#323757",0.3,{"_type":28,"background":148,"foreground":30,"population":149,"title":30},"#08377f",6.53,{"_type":28,"background":151,"foreground":37,"population":152,"title":37},"#f9e8cb",7.11,{"_type":28,"background":154,"foreground":37,"population":155,"title":30},"#aab6c5",0.17,{"_type":28,"background":151,"foreground":37,"population":152,"title":37},{"_type":28,"background":158,"foreground":30,"population":159,"title":30},"#9c5e48",0.34,{"_type":28,"background":161,"foreground":30,"population":162,"title":30},"#b48155",0.32,"2dYNJgQKc4iHeBeneIWHZcqYB2hVgFY=","v_2_icwnipadoshi 1 (1).webp","https://cdn.sanity.io/images/o88d9ev8/production/7f989267bfa698d690e8d2c137614b86c6cb488e-1228x1524.webp","Jonathan Levien and Nipa Doshi both regard drawing as a way of thinking and a way to capture the essence of ideas. 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In exploring this theme, the studio has been inspired by textile designer Anni Albers (1899-1994), whose writings and practice showed how pattern could move beyond decoration to become a universal language of structure, rhythm and variation. Albers was a pioneer in bringing craft into dialogue with modernism – a concern that resonates deeply with Doshi Levien’s own work. To develop this strand of commonality, the studio used AI to imagine an exchange with Albers, based on her own writings. In this act of imagination, there is also sense of longing: a desire to reach across time to Albers herself and feel a human connection with a thinker whose ideas remain deeply relevant today. 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Its embroidered surfaces map out the ancient dice game Chaupar, creating a pattern that is simultaneously geometric and narrative, referencing stories from the Mahabharata as well as Mughal courts. 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In Doshi Levien’s design translation of the form, the cotton and silk mattresses are embroidered with Chaupar, the ancient Indian dice game that features in the epic Mahabharata.","default","Charpoy: a daybed with four legs",{"_type":251,"assets":290,"description":325,"ratio":326,"title":327},[291],{"_key":292,"_type":132,"image":293},"0a40587c7c6c",{"asset":294,"crop":11,"hotspot":11},{"altText":11,"metadata":295,"originalFilename":323,"url":324},{"_type":16,"blurHash":296,"dimensions":297,"hasAlpha":23,"isOpaque":22,"lqip":301,"palette":302,"thumbHash":322},"M%Rx=cj]x]j@x]soadfkkCWB*JoLRPj[RP",{"_type":19,"aspectRatio":298,"height":299,"width":300},1.7786187322611164,2114,3760,"data:image/jpeg;base64,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",{"_type":26,"darkMuted":303,"darkVibrant":306,"dominant":309,"lightMuted":312,"lightVibrant":315,"muted":318,"vibrant":321},{"_type":28,"background":304,"foreground":30,"population":305,"title":30},"#6c5744",0.54,{"_type":28,"background":307,"foreground":30,"population":308,"title":30},"#891c16",0.78,{"_type":28,"background":310,"foreground":30,"population":311,"title":30},"#ce3b30",7.98,{"_type":28,"background":313,"foreground":37,"population":314,"title":30},"#dfbfb8",0.61,{"_type":28,"background":316,"foreground":37,"population":317,"title":30},"#efa48c",3.73,{"_type":28,"background":319,"foreground":30,"population":320,"title":30},"#985b49",0.65,{"_type":28,"background":310,"foreground":30,"population":311,"title":30},"tUgOJIynp4h3iIePhYhXiHCFCA==","Doshi Levien-Website-Narratives-Logic of Pattern-03.jpg","https://cdn.sanity.io/images/o88d9ev8/production/99fd1f845ad6b6dc20dbd50a410d59bc6024bf82-3760x2114.jpg","The Kundan Cabinet transforms pattern into structure – a rhythmic choreography of mirrors, numeric symbols and pictorial elements. The mirror inlay recalls the mud-and-mirror interiors of nomadic homes in Kutch, while the sequenced geometric motifs draw from the language of Kundan jewellery.","16_9","The Kundan Cabinet",{"_key":329,"_type":330,"footnotesSize":244,"initials":331,"marginTop":208,"text":332},"528945d1bef9","highlightedText"," AA",[333],{"_key":334,"_type":103,"children":335,"markDefs":349,"style":130},"c8176d15e1c1",[336,340,345],{"_key":337,"_type":107,"marks":338,"text":339},"9a9619e8478d",[],"When I look at the Kundan cabinet, what strikes me first is the way pattern is not just applied, but embedded in its being. The mirrors and symbols do not behave like ornament, but like elements in a larger order – each one deliberate, like stitches in a textile. In my own weaving, I was always searching for how repetition could move beyond surface effect and how a pattern could be the very structure of a ",{"_key":341,"_type":107,"marks":342,"text":344},"53698fca9ec0",[343],"572461878964","work",{"_key":346,"_type":107,"marks":347,"text":348},"c65a0ba29c12",[],".",[350],{"_key":343,"_type":351,"assets":11,"text":352},"footnote","Anni Albers, On Designing. 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The surface is conceived of as a composed field where light, numbers and cultural symbols align.","Pattern as structure","mediumLeft",{"_key":393,"_type":394,"footnotesSize":395,"marginTop":208,"texts":396},"151759174ab3","conversationBlock","large",[397,494,518],{"_key":398,"_type":399,"initials":400,"text":401},"388d2f0e9bd2","answer","ND",[402],{"_key":403,"_type":103,"children":404,"markDefs":427,"style":130},"3e1c1c564a6c",[405,409,414,418,423],{"_key":406,"_type":107,"marks":407,"text":408},"1e55a811f68f",[],"That’s very much how we thought of it. The inspiration came partly from Kundan ",{"_key":410,"_type":107,"marks":411,"text":413},"947e6bae6f88",[412],"e17df5574c2c","jewellery",{"_key":415,"_type":107,"marks":416,"text":417},"edef33e36b8d",[],", those sequences of stones set into gold, but also from the interiors of nomadic homes in ",{"_key":419,"_type":107,"marks":420,"text":422},"a1c556bc3172",[421],"1f1096dbe2b8","Kutch",{"_key":424,"_type":107,"marks":425,"text":426},"8517b0698ffa",[],", where mirrors are pressed into mud walls to catch and multiply light. 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This one has been made with carved emeralds, uncut diamonds and basra pearls. It was made with the “kundan” technique of setting precious stones into materials with tiny strips of highly refined gold, and is now displayed in the Gyan Museum, Jaipur.",{"_key":421,"_type":351,"assets":462,"ratio":287,"text":493},[463],{"_key":464,"_type":132,"image":465},"98feaa7531e2",{"asset":466,"crop":11,"hotspot":11},{"altText":11,"metadata":467,"originalFilename":491,"url":492},{"_type":16,"blurHash":468,"dimensions":469,"hasAlpha":23,"isOpaque":22,"lqip":472,"palette":473,"thumbHash":490},"MeJu1BIUkX_NRP?aM{ofn$oLoeWVkCM|oz",{"_type":19,"aspectRatio":470,"height":471,"width":262},1.7714285714285714,1050,"data:image/jpeg;base64,/9j/2wBDAAYEBQYFBAYGBQYHBwYIChAKCgkJChQODwwQFxQYGBcUFhYaHSUfGhsjHBYWICwgIyYnKSopGR8tMC0oMCUoKSj/2wBDAQcHBwoIChMKChMoGhYaKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCj/wAARCAALABQDASIAAhEBAxEB/8QAFwAAAwEAAAAAAAAAAAAAAAAAAAUGB//EACQQAAECBQMFAQAAAAAAAAAAAAECAwAEBQchBhESFiMxQWFR/8QAFwEAAwEAAAAAAAAAAAAAAAAAAAECA//EABwRAAICAgMAAAAAAAAAAAAAAAECABEDIRITUf/aAAwDAQACEQMRAD8AcXKn3mZFppG45n1FlbeouTWnWjMqHNA45PoRjlwKhNOVMNreUUJ8DGIbWyqM30/Md9eFq2+QHGvKprR6Q3plRqS4AlKu8wwN0Ixv9gjNNTtoNXdURlQBJ/TBEldxqgI3P//Z",{"_type":26,"darkMuted":474,"darkVibrant":477,"dominant":479,"lightMuted":480,"lightVibrant":483,"muted":485,"vibrant":488},{"_type":28,"background":475,"foreground":30,"population":476,"title":30},"#684049",7.24,{"_type":28,"background":478,"foreground":30,"population":442,"title":30},"#712713",{"_type":28,"background":475,"foreground":30,"population":476,"title":30},{"_type":28,"background":481,"foreground":37,"population":482,"title":30},"#cfc7ac",0.04,{"_type":28,"background":484,"foreground":37,"population":34,"title":37},"#dcd2b4",{"_type":28,"background":486,"foreground":30,"population":487,"title":30},"#92787b",6.59,{"_type":28,"background":489,"foreground":30,"population":34,"title":30},"#309ce8","JggODIKVb3dseHh3aIlIj5hgqA==","Doshi Levien-Website-Narratives-Logic of Pattern-06.jpg","https://cdn.sanity.io/images/o88d9ev8/production/a72bde81051a7b4f1a8c9dff9fb94cec3d88ad15-1860x1050.jpg","Lippan kaam is a traditional mud-and-mirror mural craft from the Kutch region of India, where artisans decorate the walls of mud houses called bhungas with intricate designs.",{"_key":495,"_type":496,"initials":497,"text":498},"1bc7fa0eaee9","question","AA",[499],{"_key":500,"_type":103,"children":501,"markDefs":515,"style":130},"2982fa01e307",[502,506,511],{"_key":503,"_type":107,"marks":504,"text":505},"d7404a8176bf",[],"Yes, rhythm with variation – that is the essence of pattern, in weaving, in music, in ",{"_key":507,"_type":107,"marks":508,"text":510},"cf14539fe509",[509],"b2a7c60edc17","life",{"_key":512,"_type":107,"marks":513,"text":514},"21f304ceceb7",[],". It is what makes a form breathe.",[516],{"_key":509,"_type":351,"assets":11,"text":517},"Anni Albers, On Weaving. Middletown, CT: Wesleyan University Press, 1965.",{"_key":519,"_type":399,"initials":520,"text":521},"6c9d1ddc8a9c","JL",[522],{"_key":523,"_type":103,"children":524,"markDefs":529,"style":130},"64ef82aad926",[525],{"_key":526,"_type":107,"marks":527,"text":528},"67353368eb0c",[],"Exactly. That’s why the mirrors almost disappear until the light finds them again. The rhythm shifts with the viewer, giving the surface a sense of presence and absence.",[],{"_key":531,"_type":355,"image":532,"layoutOptions":249,"marginTop":208},"dd0fd3d76b73",{"_type":251,"assets":533,"description":563,"ratio":287,"title":564},[534],{"_key":535,"_type":132,"image":536},"6ff652677421",{"asset":537,"crop":11,"hotspot":11},{"altText":11,"metadata":538,"originalFilename":561,"url":562},{"_type":16,"blurHash":539,"dimensions":540,"hasAlpha":23,"isOpaque":22,"lqip":541,"palette":542,"thumbHash":560},"MSPPAg:,Ki.l$*qFu4R5Q-X9%gaKnOnOR*",{"_type":19,"aspectRatio":298,"height":299,"width":300},"data:image/jpeg;base64,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",{"_type":26,"darkMuted":543,"darkVibrant":546,"dominant":548,"lightMuted":551,"lightVibrant":552,"muted":555,"vibrant":557},{"_type":28,"background":544,"foreground":30,"population":545,"title":30},"#37373f",5.1,{"_type":28,"background":547,"foreground":30,"population":34,"title":30},"#b6240c",{"_type":28,"background":549,"foreground":37,"population":550,"title":30},"#c0b7b3",8.3,{"_type":28,"background":549,"foreground":37,"population":550,"title":30},{"_type":28,"background":553,"foreground":30,"population":554,"title":30},"#f24f36",1.01,{"_type":28,"background":556,"foreground":30,"population":41,"title":30},"#7c549c",{"_type":28,"background":558,"foreground":30,"population":559,"title":30},"#fc5027",4.97,"70gGHIimnrbfRXh8d3U8MOYEYw==","Doshi Levien-Website-Narratives-Logic of Pattern-07.jpg","https://cdn.sanity.io/images/o88d9ev8/production/58af96d3e15a2ba772ef4b8e91d33d85746a1ff0-3760x2114.jpg","Each Charpoy is made using cotton and silk mattresses embroidered with the ancient Indian dice game of Chaupar. The game, similar to chess, is deeply rooted in Indian history and is said to have led to the epic war of the Mahabharata, when kingdoms and wives were waged as prizes.","Charpoy day beds with game of Chaupar",{"_key":566,"_type":394,"footnotesSize":244,"marginTop":208,"texts":567},"cbcf9e83e618",[568,588,599,620,631,642],{"_key":569,"_type":496,"initials":497,"text":570},"6f96218fa8a7",[571],{"_key":572,"_type":103,"children":573,"markDefs":586,"style":130},"299759ee83ba",[574,578,583],{"_key":575,"_type":107,"marks":576,"text":577},"aee693a3a564",[],"And in Charpoy, I see another kind of structure. The daybed is an archetype – four legs, a woven plane – yet here its surface carries narrative. The embroidered grid of Chaupar is geometry, but it is also memory and myth. In my work I often asked: where does pattern end and story begin? They are inseparable ",{"_key":579,"_type":107,"marks":580,"text":582},"749641ea0286",[581],"fbe33f66bb7c","here",{"_key":584,"_type":107,"marks":585,"text":348},"cc922329b3c4",[],[587],{"_key":581,"_type":351,"assets":11,"text":517},{"_key":589,"_type":399,"initials":400,"text":590},"a49320715013",[591],{"_key":592,"_type":103,"children":593,"markDefs":598,"style":130},"a9caaadd1e3d",[594],{"_key":595,"_type":107,"marks":596,"text":597},"8a795438da3d",[],"That’s how we experienced it too. The game provides geometry, but also drama. In the Mahabharata the throw of dice leads to war and exile, and centuries later Akbar staged it on vast stone boards in his courtyards, using women in colourful saris as the living pieces. The pattern is mathematical, but it is never abstract.",[],{"_key":600,"_type":496,"initials":497,"text":601},"478e27a64d8f",[602],{"_key":603,"_type":103,"children":604,"markDefs":618,"style":130},"11d7963a956b",[605,609,614],{"_key":606,"_type":107,"marks":607,"text":608},"aa8c36bb6d57",[],"And then the hand enters. The seamsters’ embroidery and appliqué bring irregularity, warmth, personality. In weaving, I often felt that order and freedom must exist together – order gives security, freedom brings ",{"_key":610,"_type":107,"marks":611,"text":613},"17aec46761e4",[612],"5dc95e1ebf62","invention",{"_key":615,"_type":107,"marks":616,"text":617},"e649fc8377fe",[],". I sense that same balance here.",[619],{"_key":612,"_type":351,"assets":11,"text":517},{"_key":621,"_type":399,"initials":520,"text":622},"5593da121449",[623],{"_key":624,"_type":103,"children":625,"markDefs":630,"style":130},"57f062e9b1cb",[626],{"_key":627,"_type":107,"marks":628,"text":629},"79a83072cfaa",[],"The clarity of structure gives discipline, but the hand brings individuality. Together they create a pattern that feels both precise and alive.",[],{"_key":632,"_type":399,"initials":400,"text":633},"cac74ee6b662",[634],{"_key":635,"_type":103,"children":636,"markDefs":641,"style":130},"88a52a7329bf",[637],{"_key":638,"_type":107,"marks":639,"text":640},"aad61f82caff",[],"For me, pattern has always been a way to balance freedom with control. The logic gives a foundation, but also allows invention. 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