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Tracks and conversations that have shaped our studio",{"_createdAt":86,"_id":87,"_rev":88,"_system":89,"_type":87,"_updatedAt":92,"address_1":93,"address_2":94,"address_3":95,"businessHours":96,"email":97,"enquiries":98,"image":129,"imageDescription":164,"imageTitle":165,"instagram":166,"language":167,"phone":168,"secondaryEmails":169,"seo":170,"title":173},"2026-01-26T10:54:24Z","contact","ZqxeBhhlReiDOcBO0ThEGT",{"base":90},{"id":87,"rev":91},"j9x8aXCnOL41Sub9FljjR0","2026-06-11T08:08:07Z","49 Columbia Road","London, E2 7RG","United Kingdom","9am-6pm (UTC)","mail@doshilevien.com",[99],{"_key":100,"_type":101,"children":102,"markDefs":122,"style":128},"d63414a9ac22","block",[103,108,113,117],{"_key":104,"_type":105,"marks":106,"text":107},"cecd60051b7c","span",[],"If you are enquiring about an internship or employment, please address your email to ",{"_key":109,"_type":105,"marks":110,"text":112},"9d43bbd310ad",[111],"2156f41e12a7","careers@doshilevien.com",{"_key":114,"_type":105,"marks":115,"text":116},"4f3a8c76086e",[]," \nFor press enquiries, address to ",{"_key":118,"_type":105,"marks":119,"text":121},"4feeafe75fb8",[120],"2e5dbddedfcb","press@doshilevien.com",[123,126],{"_key":111,"_type":124,"href":125},"link","mailto:careers@doshilevien.com",{"_key":120,"_type":124,"href":127},"mailto:press@doshilevien.com","normal",{"_type":130,"image":131},"asset",{"_type":132,"asset":133,"crop":11,"hotspot":11},"image",{"altText":11,"metadata":134,"originalFilename":162,"url":163},{"_type":17,"blurHash":135,"dimensions":136,"hasAlpha":24,"isOpaque":23,"lqip":140,"palette":141,"thumbHash":161},"eFG8[.?^0000r:ogItt2-lng00rW?ao~of4ov}NbXT%f03E3^$%1Rj",{"_type":20,"aspectRatio":137,"height":138,"width":139},0.8057742782152231,1524,1228,"data:image/jpeg;base64,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",{"_type":27,"darkMuted":142,"darkVibrant":145,"dominant":148,"lightMuted":151,"lightVibrant":154,"muted":155,"vibrant":158},{"_type":29,"background":143,"foreground":31,"population":144,"title":31},"#323757",0.3,{"_type":29,"background":146,"foreground":31,"population":147,"title":31},"#08377f",6.53,{"_type":29,"background":149,"foreground":38,"population":150,"title":38},"#f9e8cb",7.11,{"_type":29,"background":152,"foreground":38,"population":153,"title":31},"#aab6c5",0.17,{"_type":29,"background":149,"foreground":38,"population":150,"title":38},{"_type":29,"background":156,"foreground":31,"population":157,"title":31},"#9c5e48",0.34,{"_type":29,"background":159,"foreground":31,"population":160,"title":31},"#b48155",0.32,"2dYNJgQKc4iHeBeneIWHZcqYB2hVgFY=","v_2_icwnipadoshi 1 (1).webp","https://cdn.sanity.io/images/o88d9ev8/production/7f989267bfa698d690e8d2c137614b86c6cb488e-1228x1524.webp","Jonathan Levien and Nipa Doshi both regard drawing as a way of thinking and a way to capture the essence of ideas. The Quilton sofa for Hay forms a backdrop to the initial concept sketch by Doshi, made in her chequered exercise books from Hong Kong.","DRAWING AS DAILY PRACTICE","doshilevien","en","+44 (0)20 7739 3631",[121,112],{"ogdescription":171,"ogimage":11,"ogtitle":172},"Contact Doshi Levien, the London-based studio of Nipa Doshi and Jonathan Levien, working across disciplines shaped by design, colour and material culture.","Contact Doshi Levien | Design Studio London","Contact",{"_createdAt":175,"_id":176,"_rev":177,"_system":178,"_type":181,"_updatedAt":182,"cardExcerpt":183,"cardImages":184,"colorScheme":201,"content":202,"credits":971,"featuredProjects":972,"heroImage":1001,"heroImageDescription":1027,"heroImageTitle":1028,"heroLayout":1029,"linkLabel":1030,"nextRead":1031,"seo":11,"slug":1126,"subtitle":1128,"title":1129,"with":1130},"2026-09-07T14:24:57Z","6f6f44e9-ce03-40c1-abd1-f3ed4bf4af88","9t624Zek4hgKeiuZ4huk4Z",{"base":179},{"id":176,"rev":180},"hxybzNeHfeyUws5w17s0vS","conversation","2026-09-18T15:47:20Z","In this conversation, Nipa Doshi reflects on the idea that design is as much a way of doing things as it is about objects. 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Although very different in character, each explores the bed as more than a functional object. In these works, the bed surface becomes a place where pattern, architecture and everyday rituals give form to narrative.",[],{"_key":225,"_type":226,"footnotesSize":227,"marginTop":207,"texts":228},"b5a82346f932","conversationBlock","regular",[229,242,263,274],{"_key":230,"_type":231,"initials":232,"text":233},"a157080ab07f","question","Q",[234],{"_key":235,"_type":101,"children":236,"markDefs":241,"style":128},"9818adfa2e9d",[237],{"_key":238,"_type":105,"marks":239,"text":240},"57428d7e03db",[],"With Dori, your bedspread and cushion collection for HAY, the conversation seems to move beyond textile design into something broader: the rituals of daily life, and the way we shape our environments through simple actions. The act of making the bed becomes surprisingly important.",[],{"_key":243,"_type":244,"initials":245,"text":246},"e0ffe2b0156b","answer","ND",[247,255],{"_key":248,"_type":101,"children":249,"markDefs":254,"style":128},"0c2446f55208",[250],{"_key":251,"_type":105,"marks":252,"text":253},"be0f4eb7f547",[],"For me, making the bed is a very important ritual. It is the first act of the day, a form of renewal. Through the very simple gesture of folding and arranging a textile, the purpose of the bed changes from being a place of rest into a space for living.",[],{"_key":256,"_type":101,"children":257,"markDefs":262,"style":128},"06c2155de79f",[258],{"_key":259,"_type":105,"marks":260,"text":261},"f0f5e49fbcca",[],"The reversible nature of Dori came from this idea. By turning the bedspread over, or folding it differently, the bed takes on another identity. I think of it almost as dressing a bed. The embroidered grid guides the fold and the coloured borders define the edges. These features hint at different ways to use the textile.",[],{"_key":264,"_type":231,"initials":232,"text":265},"4dd2badc7268",[266],{"_key":267,"_type":101,"children":268,"markDefs":273,"style":128},"0378e86cd14f",[269],{"_key":270,"_type":105,"marks":271,"text":272},"82301c77897c",[],"You speak about the bed almost as a social and architectural space, rather than simply a functional object.",[],{"_key":275,"_type":244,"initials":245,"text":276},"1291654c41ed",[277],{"_key":278,"_type":101,"children":279,"markDefs":293,"style":128},"5bfecb347c4e",[280,284,289],{"_key":281,"_type":105,"marks":282,"text":283},"8d78a424909e",[],"I grew up in India where the bedroom is never understood purely as a private space. During the day, the bed becomes a place to sit, read, spend time with family and ",{"_key":285,"_type":105,"marks":286,"text":288},"df5072737c51",[287],"f25ce14fb493","friends.",{"_key":290,"_type":105,"marks":291,"text":292},"fb4cfa6b54e9",[]," The bedspread transforms the bed into another kind of platform.",[294],{"_key":287,"_type":295,"assets":296,"ratio":327,"text":328,"title":329},"footnote",[297],{"_key":298,"_type":130,"image":299,"isVideo":24},"0b4e45627466",{"asset":300,"crop":11,"hotspot":11},{"altText":11,"metadata":301,"originalFilename":325,"url":326},{"_type":17,"blurHash":302,"dimensions":303,"hasAlpha":24,"isOpaque":23,"lqip":307,"palette":308},"d6F=,VD%00~WRj-;%M4.00-;_3oL~qM{xut7~qIUxaxu",{"_type":20,"aspectRatio":304,"height":305,"width":306},0.7996485061511424,1707,1365,"data:image/jpeg;base64,/9j/2wBDAAYEBQYFBAYGBQYHBwYIChAKCgkJChQODwwQFxQYGBcUFhYaHSUfGhsjHBYWICwgIyYnKSopGR8tMC0oMCUoKSj/2wBDAQcHBwoIChMKChMoGhYaKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCj/wAARCAAZABQDASIAAhEBAxEB/8QAGAAAAwEBAAAAAAAAAAAAAAAAAAUGBwP/xAAtEAABAwIEAwYHAAAAAAAAAAABAgMEAAUGERIhEyIxBxQyQWFxMzQ1cnOx0f/EABYBAQEBAAAAAAAAAAAAAAAAAAABAv/EABYRAQEBAAAAAAAAAAAAAAAAAAARQf/aAAwDAQACEQMRAD8AUQV4juEFYacKYo6Ng8yh/K5P2GZH0KfkAvrVknQfD7mnFjKLViZmJdbi8ovJGkttAA+W9W0TBQgB6RIvDUmK7qVoKNwk+tRpi90cu3e1cOYFoAyBUrIj0NFWVx7PESpbjrE9vhKPLyHpRQSt0vDYfZW8hS5jakhtxKthvuMqu27hKudoU5GlMpBGhTYXmRtWO3n5uT+SnWC/iyPc/qi66PY8nWSS/Bkth1aFnJQc2y8qKzjEP1iV95oqxmv/2Q==",{"_type":27,"darkMuted":309,"darkVibrant":312,"dominant":314,"lightMuted":315,"lightVibrant":318,"muted":320,"vibrant":323},{"_type":29,"background":310,"foreground":31,"population":311,"title":31},"#464141",6.97,{"_type":29,"background":313,"foreground":31,"population":42,"title":31},"#453f3f",{"_type":29,"background":310,"foreground":31,"population":311,"title":31},{"_type":29,"background":316,"foreground":38,"population":317,"title":31},"#beb8b8",6.44,{"_type":29,"background":319,"foreground":38,"population":42,"title":31},"#bfb9b9",{"_type":29,"background":321,"foreground":31,"population":322,"title":31},"#827d7b",4.22,{"_type":29,"background":324,"foreground":31,"population":42,"title":31},"#857979","Doshi Levien-Website-InConversation-TheMadeBed-02.jpeg","https://cdn.sanity.io/images/o88d9ev8/production/ade5b66b67a13a1838e251d89509549a3f7cc5eb-1365x1707.jpg","4_5","Photographs by Pablo Bartholomew.\nTop: May, Zarine with a Friend, New Delhi, 1975.\nBottom: Hanging Out with the Maharani Bagh Gang, New Delhi, 1977.\nFeatured in The Imaginary Institution of India, Barbican.","New Delhi Society",{"_key":331,"_type":332,"image":333,"layoutOptions":369,"marginTop":207},"b642e25aa4f9","singleImage",{"_type":334,"assets":335,"description":367,"ratio":327,"title":368},"narrativesMedia",[336],{"_key":337,"_type":130,"image":338},"6ab55dec1e28",{"asset":339,"crop":11,"hotspot":11},{"altText":11,"metadata":340,"originalFilename":365,"url":366},{"_type":17,"blurHash":341,"dimensions":342,"hasAlpha":24,"isOpaque":23,"lqip":346,"palette":347},"dSKd#kM{t7s+~qxuRjRjIUV@NGWXtRbHs-s:%MxuWVWB",{"_type":20,"aspectRatio":343,"height":344,"width":345},0.8,2325,1860,"data:image/jpeg;base64,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",{"_type":27,"darkMuted":348,"darkVibrant":351,"dominant":354,"lightMuted":355,"lightVibrant":357,"muted":360,"vibrant":363},{"_type":29,"background":349,"foreground":31,"population":350,"title":31},"#36382f",7.42,{"_type":29,"background":352,"foreground":31,"population":353,"title":31},"#6a4833",6.37,{"_type":29,"background":349,"foreground":31,"population":350,"title":31},{"_type":29,"background":356,"foreground":38,"population":322,"title":31},"#c5baaf",{"_type":29,"background":358,"foreground":38,"population":359,"title":31},"#c6a172",0.02,{"_type":29,"background":361,"foreground":31,"population":362,"title":31},"#847962",7.38,{"_type":29,"background":364,"foreground":38,"population":42,"title":31},"#bcac64","Doshi Levien-Website-InConversation-TheMadeBed-03.jpeg","https://cdn.sanity.io/images/o88d9ev8/production/1d53908735ae7919d1983c9f807a4221603e9dbf-1860x2325.jpg","Dori bedspread in the Barbican home of Doshi Levien. The bed, designed by Jonathan Levien, is made from solid utile timber with hand-painted octagonal legs. Dapper chair, designed by Doshi Levien for HAY. Rabari rug, designed by Doshi Levien for Nanimarquina.","Bedroom in the Barbican","mediumCentered",{"_key":371,"_type":226,"footnotesSize":227,"marginTop":207,"texts":372},"62add8110a5c",[373,384],{"_key":374,"_type":231,"initials":232,"text":375},"ef037d234a11",[376],{"_key":377,"_type":101,"children":378,"markDefs":383,"style":128},"03cc37cd8662",[379],{"_key":380,"_type":105,"marks":381,"text":382},"76b18f3b8984",[],"This way of thinking seems to connect Dori to earlier projects by the studio. Although very different formally, Principessa and Object of Devotion also treat the bed as something more than a place to sleep.",[],{"_key":385,"_type":244,"initials":245,"text":386},"37b6103dc0c3",[387,395,525],{"_key":388,"_type":101,"children":389,"markDefs":394,"style":128},"77fe125c8d08",[390],{"_key":391,"_type":105,"marks":392,"text":393},"2428478ff800",[],"In many of our projects, we perceive the surface of the bed as a place where ideas can unfold. Principessa was one of the first projects we designed for Moroso, where we explored this very directly. Inspired by The Princess and the Pea by Hans Christian Andersen, eleven mattresses covered in different fabrics are stacked one upon another. 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