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Their first project, the Uchiwa chair, reflected the designers’ interest in pattern cutting, and was well crafted and at the same time affordable. The Dapper chair followed a few years later, part of an invitation from the Aga Khan Foundation to furnish a student housing project in London’s King’s Cross. Tasked with creating 350 chairs, the designers called upon Hay’s expertise and worked together to develop the design.",[],{"_key":282,"_type":103,"children":283,"markDefs":287,"style":130},"da83c73e94ed",[284],{"_key":270,"_type":107,"marks":285,"text":286},[],"“It's been a very focused collaboration,” says Doshi of their latest project. “What is great about Hay is that they are a company from our generation: design entrepreneurs who’ve set up and built a brand. 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Photographed at the Barbican, London.",{"_key":365,"_type":264,"body":366,"footnotesSize":288,"marginTop":248},"a153c30a1ac8",[367,375],{"_key":368,"_type":103,"children":369,"markDefs":374,"style":130},"341e4a7542d0",[370],{"_key":371,"_type":107,"marks":372,"text":373},"6ea94910b818",[],"The Quilton sofa was born from an idea conceived by Doshi Levien. “We often make strategic suggestions to companies, looking at what’s missing from their collection,” explains Doshi. “Jonathan and I went to them and said, we think you should do a seating collection which is softer, elegant, has tailoring, and, at the same time, is very warm and accessible. And that's how the project actually started, from a small sketch in my book.”",[],{"_key":376,"_type":103,"children":377,"markDefs":381,"style":130},"07bf6f949b53",[378],{"_key":371,"_type":107,"marks":379,"text":380},[],"Sketching and drawing are integral parts of the pair’s process, a very hands-on approach that includes hand-drawing and hand-prototyping in their London studio. “Rolf said to me: when I look at your sketches and I close my eyes I can really imagine the beautiful sofa,” recalls Doshi. “So with Hay, we are also working with that level of trust, a company where you don’t have to create fantastic renderings and visualisation, you're presenting them with the sketch, and they understand it: it's a very fluid and a very different way of working.”",[],{"_key":383,"_type":292,"layoutOptions":384,"left":385,"marginTop":248,"right":422},"cf66b9be93f9","centered",{"_type":209,"assets":386,"description":420,"ratio":329,"title":421},[387],{"_key":388,"_type":132,"image":389},"2e81221fbd7a",{"asset":390,"crop":11,"hotspot":11},{"altText":11,"metadata":391,"originalFilename":418,"url":419},{"_type":16,"blurHash":392,"dimensions":393,"hasAlpha":23,"isOpaque":22,"lqip":397,"palette":398,"thumbHash":417},"dFMZwCR+yrg300D*KhRQ}AIpS~Io_1a0T0aK?bt7RP%L",{"_type":19,"aspectRatio":394,"height":395,"width":396},0.8042049934296978,1522,1224,"data:image/jpeg;base64,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",{"_type":26,"darkMuted":399,"darkVibrant":402,"dominant":405,"lightMuted":408,"lightVibrant":409,"muted":412,"vibrant":415},{"_type":28,"background":400,"foreground":30,"population":401,"title":30},"#295a55",1.21,{"_type":28,"background":403,"foreground":30,"population":404,"title":30},"#93230d",0.02,{"_type":28,"background":406,"foreground":37,"population":407,"title":30},"#d0b8a1",5.83,{"_type":28,"background":406,"foreground":37,"population":407,"title":30},{"_type":28,"background":410,"foreground":37,"population":411,"title":30},"#e4a07c",2.41,{"_type":28,"background":413,"foreground":30,"population":414,"title":30},"#ac6056",0.18,{"_type":28,"background":416,"foreground":37,"population":146,"title":30},"#1ad2c3","qCgSFgandwiGd5h3d3p3iXdnR35/9Og=","h_5_nipadoshi 1 (1).webp","https://cdn.sanity.io/images/o88d9ev8/production/0f64ecaa5d2b1ee9ec1e7c37d72b051fa7be9615-1224x1522.webp","The design process included sketching and drawing at Doshi Levien’s London studio.","Doshi Levien's Quilton sketches",{"_type":209,"assets":423,"ratio":329},[424],{"_key":425,"_type":132,"image":426},"76c58fb0adab",{"asset":427,"crop":11,"hotspot":11},{"altText":11,"metadata":428,"originalFilename":164,"url":165},{"_type":16,"blurHash":137,"dimensions":429,"hasAlpha":23,"isOpaque":22,"lqip":142,"palette":430,"thumbHash":163},{"_type":19,"aspectRatio":139,"height":140,"width":141},{"_type":26,"darkMuted":431,"darkVibrant":432,"dominant":433,"lightMuted":434,"lightVibrant":435,"muted":436,"vibrant":437},{"_type":28,"background":145,"foreground":30,"population":146,"title":30},{"_type":28,"background":148,"foreground":30,"population":149,"title":30},{"_type":28,"background":151,"foreground":37,"population":152,"title":37},{"_type":28,"background":154,"foreground":37,"population":155,"title":30},{"_type":28,"background":151,"foreground":37,"population":152,"title":37},{"_type":28,"background":158,"foreground":30,"population":159,"title":30},{"_type":28,"background":161,"foreground":30,"population":162,"title":30},{"_key":439,"_type":264,"body":440,"footnotesSize":288,"marginTop":248},"53044da93a0e",[441,449,456],{"_key":442,"_type":103,"children":443,"markDefs":448,"style":130},"a3c87a4e441d",[444],{"_key":445,"_type":107,"marks":446,"text":447},"b6466cf6e0c4",[],"The starting point for the sofa was modularity (there are 13 available modules as well as a standalone three-seater). As Doshi explains, they wanted to create a balanced design that was elegant and at the same time soft, with generous forms. “Jonathan and I love tailoring and sartorial details, so the quilting became a very important aspect of the piece,” she says. “It almost reminds me of a classic sofa; you have a memory of a classic sofa, but it’s still something new.”",[],{"_key":450,"_type":103,"children":451,"markDefs":455,"style":130},"48709453b39f",[452],{"_key":445,"_type":107,"marks":453,"text":454},[],"The bold quilting on the seat is the defining element of the design, but it was equally important to the designers that it didn't become a grid that’s all over the piece: ‘“here's also restraint in the grid. 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In its debut version, the sofa features Kvadrat fabrics such as Raas, which the duo designed with voluminous yarns in blue and black; Margrethe Odgaard’s Re-wool in grey, and Atlas in blue; as well as Fanny Aronsen’s Vidar in a distinctively bold green hue.",[],{"_key":514,"_type":103,"children":515,"markDefs":519,"style":130},"65622504f5c6",[516],{"_key":509,"_type":107,"marks":517,"text":518},[],"The designers also art-directed the photography for the launch, shot at their Barbican apartment in London. “Hay is an international brand, and we wanted to bring that plurality to the pictures,” says Doshi. “To show that just because you have design in your house, it doesn't mean that everything else around it has to be exactly contemporary and modern. So, we brought that sense of eclecticism to the pictures, to convey this idea of cultural exchange between modern design, traditional objects, and the architectural elements of the Barbican.”",[],{"_key":521,"_type":103,"children":522,"markDefs":526,"style":130},"841ce14b70aa",[523],{"_key":509,"_type":107,"marks":524,"text":525},[],"It’s impossible to launch a piece of furniture in 2021 without addressing how the pandemic has changed the way we live. “[In the past 17 months] the sofa has changed: it’s become a platform to work on,” concludes Doshi. “Our homes became very important; working remotely changed the landscape of how we treat our homes. 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