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In her sketches, the chequered boxes are privy to a conversation with culture, deliberations in drawings and language.",[],{"_key":410,"_type":103,"children":411,"markDefs":415,"style":130},"20a873766cfa",[412],{"_key":405,"_type":107,"marks":413,"text":414},[],"As a designer who hails from India, a perplexing question often follows: does she draw inspiration from the country’s history? “This history that we speak of is my history,” says Nipa, continuing, “We are all influenced by where we grew up and what we were exposed to. 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Why am I fighting it? I’m good at it.”",[],{"_key":563,"_type":103,"children":564,"markDefs":568,"style":130},"2c59ef91e4ca",[565],{"_key":558,"_type":107,"marks":566,"text":567},[],"Nipa went on to design not just the colours and textiles for Kettal but also their entire colour and material library, “and it’s incredibly commercially successful,” she laughs. Feminism and design are both exercises in learning and unlearning. Elle, predating Elle Decor, started in 1945 as an unapologetic women’s magazine boldly launching into a dialogue on feminism and femininity. In 1956, Princess Grace Kelly of Monaco was featured on the cover, and a few issues later, Marilyn Monroe. Why must we fit into definitions? When asked what colour she identifies with, Nipa, a feminist herself, says, “It changes but right now it is red. 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When you work with textiles and colours, it’s only when you see the piece in person that you understand how it works. I’m always trying to work with colours that people think are unconventional, finding ways to experiment. The more you live with colour, the more you enjoy it.",[664],{"_key":657,"_type":665,"assets":666,"ratio":321,"text":698,"title":699},"footnote",[667],{"_key":668,"_type":132,"image":669},"779393ac42d2",{"asset":670,"crop":11,"hotspot":11},{"altText":11,"metadata":671,"originalFilename":696,"url":697},{"_type":16,"blurHash":672,"dimensions":673,"hasAlpha":23,"isOpaque":22,"lqip":677,"palette":678,"thumbHash":695},"dWPQ1?xu_Nba%Mj[WVj[_NWB9Fs;XSj[s:ayIAofkCR*",{"_type":19,"aspectRatio":674,"height":675,"width":676},0.7992957746478874,1136,908,"data:image/jpeg;base64,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",{"_type":26,"darkMuted":679,"darkVibrant":682,"dominant":684,"lightMuted":686,"lightVibrant":689,"muted":690,"vibrant":692},{"_type":28,"background":680,"foreground":30,"population":681,"title":30},"#384860",0.31,{"_type":28,"background":683,"foreground":30,"population":159,"title":30},"#2b140f",{"_type":28,"background":685,"foreground":37,"population":531,"title":30},"#ceb199",{"_type":28,"background":687,"foreground":37,"population":688,"title":30},"#d9bfb4",0.9,{"_type":28,"background":685,"foreground":37,"population":531,"title":30},{"_type":28,"background":691,"foreground":30,"population":390,"title":30},"#a36c74",{"_type":28,"background":693,"foreground":30,"population":694,"title":30},"#db6558",0.4,"MwgKDgLohph3iPg3aYd4hYhneHqQpQg=","Doshi Levien-Website-Narratives-Elle Decor India-10.jpg","https://cdn.sanity.io/images/o88d9ev8/production/0a35c8cfc1008d9867d201cdc1cfc115590c2d02-908x1136.jpg","Doshi Levien Colour Lab is a new experimental space to explore, develop and share their knowledge and research in colour with the wider creative community. It includes a library of over 300 colours mixed in their studio for various projects. Nipa and Jonathan have collected everyday printed ephemera from countries like India, Japan and Hong Kong from postal stamps to reject printed posters, that are now a part of the Colour Lab; Photograph courtesy Doshi Levien","Colour Lab",{"_key":701,"_type":103,"children":702,"markDefs":707,"style":646},"182b5c356f83",[703],{"_key":704,"_type":107,"marks":705,"text":706},"6e119e6f66c6",[],"How do you stay inspired?",[],{"_key":709,"_type":103,"children":710,"markDefs":715,"style":130},"9fea3a86b6ab",[711],{"_key":712,"_type":107,"marks":713,"text":714},"75a52a0b9101",[],"Inspiration is everywhere if you know how to look. I remember when I was working in Delhi. I was in a rickshaw and the air was polluted. A bus pulled up next to me, and I just looked at the side of the bus and thought, “This is a beautiful red.”",[],{"_key":717,"_type":103,"children":718,"markDefs":723,"style":646},"0d01a3f41dfe",[719],{"_key":720,"_type":107,"marks":721,"text":722},"a52a1691fef9",[],"What quality should young designers cultivate today?",[],{"_key":725,"_type":103,"children":726,"markDefs":731,"style":130},"fc622f33ba97",[727],{"_key":728,"_type":107,"marks":729,"text":730},"3abcd7d0f3a2",[],"Skill is crucial, whether it’s drawing or craftsmanship. But you also need a unique point of view and a perspective of looking at things. Success in design is rare – it requires exceptional talent and perseverance. Building a career takes time and you have to consistently hone your craft.",[],"large","Sneak peek into the mind of Nipa Doshi as she walks us through her oeuvre at Doshi Levien",{"_key":735,"_type":207,"image":736,"layoutOptions":323,"marginTop":248},"cbc74e94cb35",{"_type":209,"assets":737,"description":768,"ratio":321,"title":769},[738],{"_key":739,"_type":132,"image":740},"496c8a51b636",{"asset":741,"crop":11,"hotspot":11},{"altText":11,"metadata":742,"originalFilename":766,"url":767},{"_type":16,"blurHash":743,"dimensions":744,"hasAlpha":23,"isOpaque":22,"lqip":745,"palette":746,"thumbHash":765},"McMH7Fof_4xv%MxbxuWCM{j[_Na{MxadM{",{"_type":19,"aspectRatio":294,"height":295,"width":296},"data:image/jpeg;base64,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",{"_type":26,"darkMuted":747,"darkVibrant":750,"dominant":753,"lightMuted":754,"lightVibrant":756,"muted":759,"vibrant":762},{"_type":28,"background":748,"foreground":30,"population":749,"title":30},"#5c3a34",17.81,{"_type":28,"background":751,"foreground":30,"population":752,"title":30},"#44110d",0.26,{"_type":28,"background":748,"foreground":30,"population":749,"title":30},{"_type":28,"background":755,"foreground":37,"population":34,"title":30},"#c4cc8c",{"_type":28,"background":757,"foreground":37,"population":758,"title":30},"#e0a37b",0.69,{"_type":28,"background":760,"foreground":30,"population":761,"title":30},"#6696ae",1.34,{"_type":28,"background":763,"foreground":37,"population":764,"title":30},"#dfb558",0.48,"KxgODILnqYaYV4h/dXkYZ5CABg==","Doshi Levien-Website-Narratives-Elle Decor India-11.jpg","https://cdn.sanity.io/images/o88d9ev8/production/2d7a7c046468188ff38b3e4d7f4ad3eed906d6ce-3760x2114.jpg","The Kinari collection evokes memories of handmade Indian solid wood furniture with soft, sensual and abundant forms of the dark tropical wood structure against a poetic composition of vivid and joyful hues, finished with jewel-like gold leaf details.","Kinari Collection",{"_key":771,"_type":264,"body":772,"footnotesSize":732,"marginTop":248},"f249150090e2",[773,781,789,797,843,851,859],{"_key":774,"_type":103,"children":775,"markDefs":780,"style":646},"c813487b7ac7",[776],{"_key":777,"_type":107,"marks":778,"text":779},"92f07bae6b76",[],"Meditative atmosphere or finding chaos in the calm.\u2028Which is your preferred work environment?",[],{"_key":782,"_type":103,"children":783,"markDefs":788,"style":130},"108b2ebbcd11",[784],{"_key":785,"_type":107,"marks":786,"text":787},"44007465e6ff",[],"The neighbourhood is very East End, Cockney and quite diverse. But I derive energy from walking the city streets. The intensity of urban India, with its architecture, vendors and vibrancy, inspires me immensely.",[],{"_key":790,"_type":103,"children":791,"markDefs":796,"style":646},"45e8bb03e141",[792],{"_key":793,"_type":107,"marks":794,"text":795},"7807884a887b",[],"Can you tell us about Kinari?",[],{"_key":798,"_type":103,"children":799,"markDefs":809,"style":130},"daa1e0fd7051",[800,805],{"_key":801,"_type":107,"marks":802,"text":804},"44962402ca2b",[803],"76dcb706e088","Kinari",{"_key":806,"_type":107,"marks":807,"text":808},"c4e7a5bd136d",[],", or me, is about the borders of textiles – like the ones in Indian saris, Jamdani or Kanjivaram, for instance. The border itself carries so many stories. A lot of research went into creating the sentences of colour and the proportion of it. It’s all about logic and how it contrasts with the richness of the wood.",[810],{"_key":803,"_type":665,"assets":811,"ratio":321,"text":842,"title":769},[812],{"_key":813,"_type":132,"image":814},"a553894d1d02",{"asset":815,"crop":11,"hotspot":11},{"altText":11,"metadata":816,"originalFilename":840,"url":841},{"_type":16,"blurHash":817,"dimensions":818,"hasAlpha":23,"isOpaque":22,"lqip":819,"palette":820,"thumbHash":839},"dLPGgNMxInx]_N-;ofWBkCM{oLof8_j]bGWB?bxuofV@",{"_type":19,"aspectRatio":674,"height":675,"width":676},"data:image/jpeg;base64,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",{"_type":26,"darkMuted":821,"darkVibrant":824,"dominant":827,"lightMuted":828,"lightVibrant":831,"muted":833,"vibrant":836},{"_type":28,"background":822,"foreground":30,"population":823,"title":30},"#44354b",0.39,{"_type":28,"background":825,"foreground":30,"population":826,"title":30},"#502b20",3.3,{"_type":28,"background":825,"foreground":30,"population":826,"title":30},{"_type":28,"background":829,"foreground":37,"population":830,"title":30},"#96b0ce",0.04,{"_type":28,"background":832,"foreground":37,"population":761,"title":30},"#d8b396",{"_type":28,"background":834,"foreground":30,"population":835,"title":30},"#a7895d",0.45,{"_type":28,"background":837,"foreground":37,"population":838,"title":30},"#e5be66",0.2,"NAgGBgBk2fiLVoeGeIGHrlh1elCmBnU=","v_2_icwnipadoshi 9.webp","https://cdn.sanity.io/images/o88d9ev8/production/1ab1a9f8a996ad1bb0d8dac861fa32b76ac8aaaa-908x1136.webp","Kinari, which translates to edge, is an ode to the colourful and decorative edges of Indian textiles.",{"_key":844,"_type":103,"children":845,"markDefs":850,"style":646},"97c618ac15fb",[846],{"_key":847,"_type":107,"marks":848,"text":849},"49ef23cd9e53",[],"How does culture play a role in your design process?",[],{"_key":852,"_type":103,"children":853,"markDefs":858,"style":130},"e73887108fd5",[854],{"_key":855,"_type":107,"marks":856,"text":857},"5e40fe8b84df",[],"I see my work as an equal exchange between cultures. We bring together handcraft, industrial production, technology and storytelling from my Indian culture and Jonathan’s Scottish-European culture. I’m equally influenced by Casa Modernista in Brazil, as I am by the hand-woven embroideries that Rabaris do. What I’m trying to bring together is a way of living. 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Photograph by Rodrigo Carmuega.","Nipa Doshi",{"_key":902,"_type":264,"body":903,"footnotesSize":732,"marginTop":248},"1ac179080235",[904,912,920,928,982,990,998,1006,1058,1066],{"_key":905,"_type":103,"children":906,"markDefs":911,"style":646},"f1088302650b",[907],{"_key":908,"_type":107,"marks":909,"text":910},"96d5b51cf695",[],"What impression did your time at NID Ahmedabad and the RCA London leave on you?",[],{"_key":913,"_type":103,"children":914,"markDefs":919,"style":130},"0f1e32931def",[915],{"_key":916,"_type":107,"marks":917,"text":918},"fa397eccdbbc",[],"I learnt a lot about design by just walking around the campus of NID Ahmedabad. The different studios and the multitude of ideas showed me there are no boundaries in design. Ahmedabad itself carries a layered complexity from the old market in the walled city to Corbusier’s and Kahn’s Modernist buildings. There is a juxtaposition of tradition and technology. When I came to the Royal College of Art I realised I’m really good at technical stuff but I’m not so interested in actually doing it. You don’t have to do everything you’re good at. Jonathan loves solving technical problems and understanding how something is made. I have a really good understanding of the technicalities, but I like drawing and thinking more.",[],{"_key":921,"_type":103,"children":922,"markDefs":927,"style":646},"d77c6e06e285",[923],{"_key":924,"_type":107,"marks":925,"text":926},"91586acb0b60",[],"What is your opinion on sustainability?",[],{"_key":929,"_type":103,"children":930,"markDefs":944,"style":130},"234455569fd3",[931,935,940],{"_key":932,"_type":107,"marks":933,"text":934},"55d24fe5cc91",[],"Apart from ecological consciousness, sustainability for me is also about sustaining communities and craft skills. This philosophy is embodied in the ",{"_key":936,"_type":107,"marks":937,"text":939},"282efa52c208",[938],"244494fe46d0","SHAAL sofa",{"_key":941,"_type":107,"marks":942,"text":943},"3e187fbf3a63",[]," we designed for Arper which was constructed to be completely separable without the use of adhesives by local artisans near Arper’s factory in Treviso, supporting industrial and craft skills in the region.",[945],{"_key":938,"_type":665,"assets":946,"ratio":321,"text":980,"title":981},[947],{"_key":948,"_type":132,"image":949},"8606006547ae",{"asset":950,"crop":11,"hotspot":11},{"altText":11,"metadata":951,"originalFilename":978,"url":979},{"_type":16,"blurHash":952,"dimensions":953,"hasAlpha":23,"isOpaque":22,"lqip":957,"palette":958,"thumbHash":977},"MjK-d?%1xuofkCs.RjM|j[az~qR-WVa#ax",{"_type":19,"aspectRatio":954,"height":955,"width":956},1.7704280155642023,514,910,"data:image/jpeg;base64,/9j/2wBDAAYEBQYFBAYGBQYHBwYIChAKCgkJChQODwwQFxQYGBcUFhYaHSUfGhsjHBYWICwgIyYnKSopGR8tMC0oMCUoKSj/2wBDAQcHBwoIChMKChMoGhYaKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCj/wAARCAALABQDASIAAhEBAxEB/8QAFwAAAwEAAAAAAAAAAAAAAAAAAAUHBv/EACQQAAEEAgECBwAAAAAAAAAAAAECAwQFABExBgcTFCEjQWPR/8QAFQEBAQAAAAAAAAAAAAAAAAAAAgP/xAAcEQACAgIDAAAAAAAAAAAAAAAAAgESETEhUVL/2gAMAwEAAhEDEQA/ANPd9aTqWB5uwppCWQQDziFzvNDDfs1kkrJ4Jy22DDUpotSW0OtnlKxsYmNFVBY1XxRr6xgRa75G7W1GCaJ7k2S0hQ6amkH1BAP5hla8FpOgltIA+NYZa6+SWJ7P/9k=",{"_type":26,"darkMuted":959,"darkVibrant":962,"dominant":965,"lightMuted":966,"lightVibrant":969,"muted":971,"vibrant":974},{"_type":28,"background":960,"foreground":30,"population":961,"title":30},"#483328",1.64,{"_type":28,"background":963,"foreground":30,"population":964,"title":30},"#192b43",2.36,{"_type":28,"background":963,"foreground":30,"population":964,"title":30},{"_type":28,"background":967,"foreground":37,"population":968,"title":30},"#cfbbac",0.12,{"_type":28,"background":970,"foreground":37,"population":752,"title":37},"#edbda2",{"_type":28,"background":972,"foreground":30,"population":973,"title":30},"#768187",1.89,{"_type":28,"background":975,"foreground":30,"population":976,"title":30},"#4c6eaa",0.52,"JwgSFIKZiHd5hod/d4SPivipaA==","h_3_nipadoshi 5.webp","https://cdn.sanity.io/images/o88d9ev8/production/d20c080ff3b99f6db807b87221d6c3ecb775c2c5-910x514.webp","Designed to be completely separable for assembly, repair, replacement and end-of-use recycling, the Shaal sofa is a collaboration between Doshi Levien and Arper. It is crafted by master craftspeople in Arper’s factory near Treviso, Italy, inviting the local communities of the region into the process.","Shaal sofas",{"_key":983,"_type":103,"children":984,"markDefs":989,"style":646},"1e202f1707cb",[985],{"_key":986,"_type":107,"marks":987,"text":988},"93f1d32df47c",[],"Is there a designer who you look up to?",[],{"_key":991,"_type":103,"children":992,"markDefs":997,"style":130},"a94623fbf499",[993],{"_key":994,"_type":107,"marks":995,"text":996},"502b315620d2",[],"My father introduced me to B.V. Doshi’s work. He used to tell me Balakrishna bhai designed his own studio such that the garden would go inside the office. I formed this image in my mind about [Doshi’s studio] Sangath that stayed with me.",[],{"_key":999,"_type":103,"children":1000,"markDefs":1005,"style":646},"0dc88b4e2a0b",[1001],{"_key":1002,"_type":107,"marks":1003,"text":1004},"54450b62f053",[],"Chandlo translates to bindi in Gujarati, how did the idea inspire a dressing table?",[],{"_key":1007,"_type":103,"children":1008,"markDefs":1022,"style":130},"50fd07596ad2",[1009,1013,1018],{"_key":1010,"_type":107,"marks":1011,"text":1012},"d4d9afb324c5",[],"My grandmother and mother imbued daily tasks, such as the act of dressing, with a sense of ritual. The application of the ",{"_key":1014,"_type":107,"marks":1015,"text":1017},"98e7fd2a848d",[1016],"e5078c00f6db","Chandlo",{"_key":1019,"_type":107,"marks":1020,"text":1021},"30969669267c",[]," marks the final, symbolic gesture in this practice of adornment in Indian culture. Transforming mundane everyday activities into deliberate, meaningful acts, inspired me to reimagine design – not as a static object but as an intentional action.",[1023],{"_key":1016,"_type":665,"assets":1024,"ratio":321,"text":1056,"title":1057},[1025],{"_key":1026,"_type":132,"image":1027},"e3871981eb46",{"asset":1028,"crop":11,"hotspot":11},{"altText":11,"metadata":1029,"originalFilename":1054,"url":1055},{"_type":16,"blurHash":1030,"dimensions":1031,"hasAlpha":23,"isOpaque":22,"lqip":1034,"palette":1035,"thumbHash":1053},"dZPj0{?v%MxG$%o#WBs._NniRiR+cEVsoeNbM|Rioft7",{"_type":19,"aspectRatio":1032,"height":1033,"width":676},0.8035398230088495,1130,"data:image/jpeg;base64,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",{"_type":26,"darkMuted":1036,"darkVibrant":1039,"dominant":1041,"lightMuted":1042,"lightVibrant":1045,"muted":1047,"vibrant":1050},{"_type":28,"background":1037,"foreground":30,"population":1038,"title":30},"#5e3f30",1.5,{"_type":28,"background":1040,"foreground":30,"population":390,"title":30},"#b10f2a",{"_type":28,"background":1037,"foreground":30,"population":1038,"title":30},{"_type":28,"background":1043,"foreground":37,"population":1044,"title":30},"#a4d0b8",0.06,{"_type":28,"background":1046,"foreground":37,"population":41,"title":30},"#fcb46c",{"_type":28,"background":1048,"foreground":30,"population":1049,"title":30},"#99785f",0.16,{"_type":28,"background":1051,"foreground":30,"population":1052,"title":30},"#e1621a",0.97,"cxgKDgKcqHZ4iPdnZ2l4dliIcVwA2AU=","v_2_icwnipadoshi 7.webp","https://cdn.sanity.io/images/o88d9ev8/production/f87e6b0eccb725030c121d9cff290bff5bbffddc-908x1130.webp","Created as a special prototype by BD Barcelona for Das Haus 2012, Chandlo was an installation by Doshi Levien for IMM Cologne that explored the studio’s vision of the perfect home. The spatial planning relied on objects and furniture to define space, and Chandlo was positioned in the dressing area, featuring an architectural juxtaposition of forms and planes designed to be viewed from all sides.","Chandlo dressing table",{"_key":1059,"_type":103,"children":1060,"markDefs":1065,"style":646},"b173eae66496",[1061],{"_key":1062,"_type":107,"marks":1063,"text":1064},"30d54c4addda",[],"How did you feel when you and Jonathan were awarded the Member of the Order of the British Empire (MBE) for your services to design?",[],{"_key":1067,"_type":103,"children":1068,"markDefs":1073,"style":130},"7ca10498752a",[1069],{"_key":1070,"_type":107,"marks":1071,"text":1072},"32dfcb4a5c24",[],"It comes full circle. Leaving India, leaving home, it was difficult for me to find my voice in London – in a culture that was not my own, where design was very minimal. This award made me feel that maybe London is also home.",[],{"_key":1075,"_type":1076,"by":900,"marginTop":248,"text":1077},"9a29a6beca4e","quote","I don’t have a style. I have an approach. For me, design is an attitude to creativity","08 March 2025",[1080,1098,1111,1123,1135,1147],{"_id":1081,"client":1082,"shortDescription":1092,"slug":1093,"title":1096,"year":1097},"1d6a5ca6-16bb-48c4-8f32-33212e9311fa",{"_createdAt":1083,"_id":1084,"_rev":1085,"_system":1086,"_type":1089,"_updatedAt":1090,"name":1091},"2025-12-03T09:13:18Z","6c56a1a5-92ed-4648-9f9f-5f8756c921ca","9dh0JutvBENxlYqRRLDpzS",{"base":1087},{"id":1084,"rev":1088},"4JcQsB8DqcvAiBOzCA4JYI","client","2026-02-24T12:42:26Z","Nanimarquina","A collection of hand-knotted rugs inspired by Rabari embroidery from Kutch, India, blending tribal motifs and the spontaneity of handcraft with a bold, contemporary sensibility.",{"_type":1094,"current":1095},"slug","rabari","Rabari",2014,{"_id":1099,"client":1100,"shortDescription":1106,"slug":1107,"title":1109,"year":1110},"880e09c6-a735-4ab6-9966-6233229bfffc",{"_createdAt":1101,"_id":1102,"_rev":1103,"_type":1089,"_updatedAt":1104,"name":1105},"2026-01-13T12:39:02Z","bcbb558b-a767-4148-9d25-8d09b3b0f281","tgyyf2ygOfIU59A8Eq3a2U","2026-01-13T12:39:04Z","Kettal","A palette of fabrics and paints inspired by natural landscapes — ocean, desert, garden — combining subtle colour and durable materials for outdoor living.",{"_type":1094,"current":1108},"materials","Materials",2015,{"_id":1112,"client":1113,"shortDescription":1119,"slug":1120,"title":602,"year":1122},"72230b9d-305b-46a1-92c0-86299020306f",{"_createdAt":1114,"_id":1115,"_rev":1116,"_type":1089,"_updatedAt":1117,"name":1118},"2026-01-13T11:40:51Z","c61fc588-05e8-43ac-922c-d3b37748bb96","tgyyf2ygOfIU59A8Epz31z","2026-01-13T11:40:52Z","Kvadrat","Two upholstery textiles with the same voluminous weave but distinct characters: Raas with a precise grid, Lila with a textured, ikat-like rhythm — both rooted in colour and imagination.",{"_type":1094,"current":1121},"raas-and-lila",2018,{"_id":1124,"client":1125,"shortDescription":1131,"slug":1132,"title":804,"year":1134},"d6670d86-b9f5-4999-9fa1-14cfebb9ec6d",{"_createdAt":1126,"_id":1127,"_rev":1128,"_type":1089,"_updatedAt":1129,"name":1130},"2025-12-03T08:12:54Z","c3fc2afc-e8b0-4ca9-a3d4-2ca7518d4eff","4JcQsB8DqcvAiBOzCA3QGK","2025-12-03T08:13:00Z","Galerie Kreo","Kinari celebrates the decorative “edge” of Indian textiles through sculptural forms and a vivid, jewel-like palette, evoking lacquer, tropical wood, and handcrafted detail.",{"_type":1094,"current":1133},"kinari",2022,{"_id":1136,"client":1137,"shortDescription":1143,"slug":1144,"title":1146,"year":1134},"955723bd-87ff-4e21-b2d9-02353deb1e22",{"_createdAt":1138,"_id":1139,"_rev":1140,"_type":1089,"_updatedAt":1141,"name":1142},"2025-12-03T08:26:37Z","6255b7d7-2801-4fe5-80e1-e2c593435d33","JlKlXNOMqcp9fHnlf6zGuc","2025-12-03T08:26:40Z","Arper","Shaal is a modular seating system combining sculptural form and comfort, with deep cushions, a plywood shell, and flexible, sustainable design.",{"_type":1094,"current":1145},"shaal","Shaal",{"_id":1148,"client":1149,"shortDescription":1155,"slug":1156,"title":1017,"year":1158},"5af16acd-bca0-4c39-9368-40bc29808a7f",{"_createdAt":1150,"_id":1151,"_rev":1152,"_type":1089,"_updatedAt":1153,"name":1154},"2025-12-03T09:30:56Z","3a2b9a86-7cb1-4599-a2c1-cbdf7346b65d","4JcQsB8DqcvAiBOzCA4fkT","2025-12-03T09:31:06Z","BD Barcelona","Chandlo is a geometric dressing table that blends art and architecture, creating a personal space for daily rituals of reflection and self-care.",{"_type":1094,"current":1157},"chandlo",2012,[1160,1168],{"_key":1161,"_type":103,"children":1162,"markDefs":1167,"style":130},"95f426482447",[1163],{"_key":1164,"_type":107,"marks":1165,"text":1166},"d4da4f66f54e",[],"Design, for me, has always been a way to tell stories – stories rooted in identity, culture and the everyday experiences that shape who we are. In this conversation with Elle Decor India, I reflect on how growing up in India continues to inform my creative voice, not just through visual references, but through values, rituals and the way beauty is found in the details of life. Design is never neutral – it carries memory, emotion, and perspective – and I’ve always felt it’s important to bring a strong, personal narrative into the objects and spaces we create.",[],{"_key":1169,"_type":103,"children":1170,"markDefs":1174,"style":130},"20ac941ce467",[1171],{"_key":1164,"_type":107,"marks":1172,"text":1173},[],"This article also gave me the space to talk about the role of feminism in my practice – not just in terms of representation, but in how design can challenge power structures, redefine comfort and honour the labour of women, both visible and invisible. As a woman of Indian origin working in a global context, I’ve had to find – and sometimes fight for – a language of design that doesn’t erase complexity. In sharing my journey with Elle Decor India, I hope to open up a wider conversation about how identity and design are deeply intertwined, and how embracing that richness can lead to more meaningful, resonant work.",[],"Nipa Doshi introduces the story behind the Elle Decor India article.","read",{"_type":182,"cardExcerpt":1178,"cardImages":1179,"linkLabel":1176,"slug":1254,"title":1256},"Danish design brand Hay presents Quilton, a new modular sofa by London-based designers Nipa Doshi and Jonathan 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