Jaali and Maya

Kvadrat

2020

Textile

Description

Maya and Jaali are textiles designed by Doshi Levien for Kvadrat, each exploring structure, light and colour through distinct techniques. Maya is a rhythmic, airy curtain textile with an open structure and a light, matte expression. Although delicate in appearance, it is robust, having been constructed with a leno weave. Maya creates a shifting play of light and shadow throughout the day. Maya, meaning “illusion” in Hindi, features an open grid balanced with narrow, densely woven bands, creating the impression of a striped pattern that runs from floor to ceiling. Inspired by Indian saris, which combine different transparencies, its palette draws on discreet, graceful sari shades: gentle notes of mint and grey, understated impressions of brick and teal. “When we selected the colours, it was particularly important to us that they provided a sense of lightness, like a wash of colour to a space,” say Nipa Doshi and Jonathan Levien.

Jaali is an architectural woollen upholstery textile named after the Hindi word for “net” or “grid”. Viewed up close, it reveals a fine, net-like grid of hexagonal shapes – from a distance, the pattern reads as a textured surface. Woven with two unicoloured yarns, the contrast between the lighter tone-on-tone pattern and the smooth ground creates a three-dimensional play of light and shadow. Developed from the colour scales of the studio’s earlier Lila and Raas textiles, and refined from 1,500 woven samples, Jaali’s 20 colourways include subtle, unexpected, coloured neutrals.

Credits
Photos: Kvadrat
Jaali and Maya
 A VIEW ON COLOUR
(Fig 1)

A VIEW ON COLOUR

“We wanted to add colours that bring something new to the Kvadrat collection, but without being loud or dominant. We would like people to use the colours we create – this is why we introduce them slowly, in a subtle way.” –Nipa Doshi and Jonathan Levien
FUSING PATTERN AND TEXTURE
(Fig 2)

FUSING PATTERN AND TEXTURE

Playing with light and shadow, surface structure and depth, Jaali is named after the Hindi word for “net” or “grid” and adds an architectural woollen upholstery to Kvadrat’s catalogue.
THE CONSTRUCTION OF JAALI
(Fig 3)

THE CONSTRUCTION OF JAALI

Jaali is constructed with two unicoloured yarns. The contrast between the lighter, tone-on-tone yarns used for the pattern and the smooth, flat surface creates a three-dimensional play of light and shadow. Curiously, this infuses the textile with both lightness and depth. Though directionless, the drop-like shapes of Jaali’s pattern add another dimension to the design. They unite to create a subtle sense of weight and graphic movement.
NIPA DOSHI DESCRIBES MAYA
(Fig 4)

NIPA DOSHI DESCRIBES MAYA

“Flowing like the wind. Cool as moonlight. Light as air. Opaque as smoke. These are some of the associations that come to my mind when I think of Maya. When we selected the colours, it was particularly important to us that they provided a sense of lightness, like a wash of colour in space.” –Nipa Doshi
CRAFTING COLOUR
CRAFTING COLOUR
(Fig 5)

CRAFTING COLOUR

Twenty colours of Jaali were selected from a colour blanket of 1,500 different combinations. “Creating and crafting colour is a point of view about how we see the world, what we consider beautiful and the value of sensuality in our material environment” –Nipa Doshi and Jonathan Levien