Mosaic

Tefal

2003

Cookware

Description

On a research trip to India, Doshi Levien saw an opportunity to create cookware designed specifically for local cooking traditions. The studio returned with a proposal for Tefal: to develop a range that reflected the ways people cook in different cultures. Tefal responded by turning the idea around, asking the designers to instead create global cookware for European markets – pieces informed by the studio's cultural research, intended for a broad audience.

Six weeks of study followed, involving food writers, chefs, traditional cookware and London’s specialist markets, all representing diverse communities. The aim remained to retain the practical and visual characteristics of archetypal cookware, while using materials suited to contemporary appliances. A terracotta tagine cannot be used safely on a gas hob, for instance, and an Indian karhai typically has metal handles that become too hot for this appliance.

Doshi Levien worked to redefine Tefal’s non-stick coating as a prestigious material and to make mass-produced objects feel custom-made. Each pot expresses a clear cultural identity through material, colour and the variant Tefal marques designed for the bases.

Credits
Photos: John Ross
 Drawings: Nipa Doshi
Mosaic
TAGINE WITH CERAMIC LID AND ALUMINIUM BASE
TAGINE WITH CERAMIC LID AND ALUMINIUM BASE
(Fig 1)

TAGINE WITH CERAMIC LID AND ALUMINIUM BASE

The Tagine is one of the most striking pieces in the Mosaic collection, defined by the triangular geometry of its ceramic lid, which sits snugly on an aluminium base – a sensual interpretation of an iconic form whose purpose is to retain and circulate heat efficiently.
THE INDIAN KARHAI RE-IMAGINED
(Fig 3)

THE INDIAN KARHAI RE-IMAGINED

The Karhai is used for frying, sautéing and making dishes with thick sauces. The open shape allows for fast evaporation of water. Originally made of cast iron or copper, it traditionally has steel loops for handles that become extremely hot and a rounded base – both details that are unsuitable for modern appliances.
INDUSTRIAL CRAFTSMANSHIP
(Fig 4)

INDUSTRIAL CRAFTSMANSHIP

The Mosaic pots explore how industrially produced objects can feel hand-crafted, tactile and sensual. This design direction contributed to Doshi Levien being named Product Designer of the Year by Blueprint Magazine in 2003.
THE WOK
THE WOK
(Fig 5)

THE WOK

Originally made in tempered steel with a long and sturdy wood handle, the Wok has thin walls to allow for a high cooking temperature, concentrated at the centre of its rounded base.
THE FAJITA
(Fig 7)

THE FAJITA

An oval pan from Mexico designed for sizzling a cut of meat resembling a fajo or belt.